NETFLIX HAS PLENTY of flicks to look at, however it’s an actual blended bag. Typically discovering the fitting movie on the proper time can appear to be an unimaginable job. Fret not, we’re right here to assist. Beneath is an inventory of a few of our favourite movies presently on the streaming service—from dramas to comedies to thrillers.
For those who resolve you are in additional of a TV temper, head over to our collection of the best TV series on Netflix. Need extra? Take a look at our lists of the best sci-fi movies, best movies on Amazon Prime, and the best flicks on Disney+.
The Sea Beast
It is simple to think about that the elevator pitch for The Sea Beast was “Moby Dick meets The right way to Prepare Your Dragon”—and who wouldn’t be compelled by that? Set in a fantasy world the place oceanic leviathans terrorize humanity, those that seek out the enormous monsters are lauded as heroes. Jacob Holland (voiced by Karl City) is one such hero, adopted son of the legendary Captain Crowe and properly on the best way to constructing his personal legacy as a monster hunter—a journey disrupted by stowaway Maisie Brumble (Zaris-Angel Hator), who has her personal ambitions to tackle the ocean beasts. Nonetheless, after an try to destroy the colossal Purple Bluster goes disastrously unsuitable, Jacob and Maisie are stranded on an island stuffed with the creatures, and discover the monsters is probably not fairly so monstrous in any case. A rollicking sea-bound journey directed by Chris Williams—of Large Hero 6 and Moana fame—this has secured its standing as one among Netflix’s most interesting motion pictures with a nomination for Greatest Animated Function on the upcoming Oscars.
Wendell & Wild
Kat went off the rails following the deaths of her dad and mom 5 years in the past. Now she’s obtained one final probability to steer her life again on observe at a brand new college and at last conquer her private demons. Sadly, she’s marked as a Hell Maiden on her first day, attracting the eye of precise demon brothers Wendell and Wild (voiced by Keegan-Michael Key and Jordan Peele, respectively). Tempted by the scheming siblings’ promise to resurrect her dad and mom if she summons them to the dwelling world—the place they plan to out-do their infernal father at his personal recreation—Kat (Lyric Ross) is drawn right into a macabre plot that threatens the dwelling and lifeless alike. Directed by Henry Selick (The Nightmare Earlier than Christmas, Coraline) and produced by Jordan Peele (Nope, Get Out), that is one other unbelievable entry in Selick’s canon of mesmerizingly darkish stop-motion masterpieces.
This gleefully entertaining giant-monster film eschews tearing up the likes of New York or Tokyo in favor of director Roar Uthaug’s (Tomb Raider 2018) native Norway, with a titanic troll stomping its method towards Oslo after being roused by a drilling operation. Though the plot and characters shall be acquainted to any fan of kaiju cinema—Ine Marie Wilmann heads up the forged as Nora Tidemann, the educational with a curiously particular skillset referred to as in to advise on the disaster, whereas Kim Falck matches neatly into the position of Andreas Isaksan, the federal government advisor paired along with her, and Gard B. Eidsvold serves as Tobias Tidemann, the previous professor chased out of academia for his loopy theories about trolls—the placing Nordic visuals and the titular menace’s potential to mix in with the panorama permits for some impressively unique twists alongside the best way. Though Troll might have simply descended into near-parody, Uthaug steers away from smug self-awareness and as a substitute delivers one of many freshest takes on the style in years.
The most recent from director Noah Baumbach sees him re-teaming together with his Marriage Story lead Adam Driver for an additional quirky take a look at disintegrating households and interpersonal angst—albeit this time with an apocalyptic twist. Driver stars as Jack Gladney, a university professor faking his method via a topic he’s unable to show and struggling to work out household life together with his fourth spouse, Babette (Greta Gerwig), and their 4 children from earlier relationships. Neurotic familial squabbles show the least of their worries, although, when an “airborne poisonous occasion” hits their city, sending everybody scrambling for canopy with exponentially disastrous outcomes. Whereas the up to date Covid-19 parallels are none too refined, conserving the Nineteen Eighties setting of Don DeLillo’s unique novel proves an impressed alternative on Baumbach’s half, one which accentuates the movie’s darkly absurd comedy. By contrasting massive hair and materialist extra towards a rush for survival, White Noise serves up some genuine moments of humanity amid its chaos.
Glass Onion: A Knives Out Thriller
Daniel Craig reprises his position as detective Benoit Blanc on this good follow-up to 2019’s phenomenal whodunnit, Knives Out. Author-director Rian Johnson crafts a fiendishly sharp new case for “the Final of the Gents Sleuths,” taking Blanc to a Greek island getaway for a reclusive tech billionaire and his assortment of buddies and hangers-on, the place a deliberate homicide thriller weekend takes a lethal literal flip. Whereas completely accessible for newcomers, followers of the primary movie will even be rewarded with some deeper character growth for Blanc, a task that’s shaping as much as be as iconic for Craig as 007. As cleverly written and meticulously constructed as its predecessor, and that includes the form of all-star forged—Edward Norton! Janelle Monáe! Kathryn Hahn! Leslie Odom Jr.! Jessica Henwick! Madelyn Cline! Kate Hudson! Dave Bautista!—that cinema goals are manufactured from, Glass Onion is perhaps the most effective factor Netflix has dropped all yr.
Guillermo del Toro’s Pinocchio
The fashionable grasp of the macabre brings the well-known wood would-be boy to life like by no means earlier than on this exquisitely animated tackle Pinocchio. Whereas this stop-motion masterpiece hews nearer to the unique Eighties story by Carlo Collodi reasonably than the sanitized Disney model, del Toro provides his personal signature contact and compelling twists to the basic story that make it darkly enchanting. Anticipate a Blue Fairy nearer to a biblically correct many-eyed angel, a Horrible Dogfish extra like a kaiju, and sophisticated themes of mortality that may depart audiences young and old interested by it for days after the credit roll. Excellent for followers of The Nightmare Earlier than Christmas or Coraline, and more likely to be mentioned in the identical breath as them for years to come back.
Florence Pugh dazzles on this not-quite-horror movie from Oscar-winning director Sebastián Lelio. Set in 1862, English nurse Lib Wright (Pugh) is distributed to Eire to watch Anna O’Donnell, a lady who claims to haven’t eaten in 4 months, subsisting as a substitute on “manna from heaven.” Nonetheless grieving the lack of her personal youngster, Lib is torn between investigating the medical impossibility and rising concern for Anna herself. Dealing with obstacles within the type of Anna’s deeply spiritual household and a local people that distrusts her, Lib’s watch descends right into a tense, terrifying expertise. Primarily based on the e-book of the identical identify by Emma Donoghue, The Surprise is an exquisite but bleakly-shot interval piece that explores the all-too-mortal horrors that unquestioning spiritual fervor and household secrets and techniques can wreak.
When spoiled Jesper Johansson is charged by his father, the highly effective postmaster basic, with organising a brand new submit workplace within the remoted city of Smeerensburg, it appears an unimaginable job. With the unusual city divided between two warring clans, the one factor the residents are more likely to ship one another is a frosty glare. But after Jesper crosses paths with surly woodsman Klaus, who has spent a lifetime carving toys, he stumbles on a solution to probably convey the city collectively—and begins a practice within the course of. Whereas Christmas movies delving into the origins of Santa are often saccharine dives into schmaltzy sentimentality, Klaus presents a barely darker take, from the murky, decrepit setting that evokes the indefinable discomfort of A Sequence of Unlucky Occasions to its model of the jolly gift-giver beginning out as an imposing, intimidating determine—all of which, naturally, makes it much more fascinating for teenagers than your sometimes cheery, festive pabulum. A BAFTA and Annie Award winner, this fantastically animated movie delivers loads of coronary heart together with its extra mature tone, making this virtually otherworldly story a contemporary Christmas miracle.
Kosuke and Natsume are childhood buddies whose relationship is strained as they method their teenage years. When the house complicated the place they first met is scheduled for demolition, they sneak in a single final time, searching for some emotional closure. As a substitute, they and the buddies who joined them discover themselves trapped by torrential rain. After the mysterious storm passes, the world is modified, with all the constructing floating on an ethereal sea, and a brand new youngster of their midst.
Adolescent emotions and magical realism collide on this sumptuously animated film from the makers of A Whisker Away (additionally obtainable on Netflix and properly price your time). Director Hiroyasa Ishida (Penguin Freeway) is probably not up there with the likes of Hayao Miyazaki by way of identify recognition within the West, however Drifting Residence ought to put him in your radar.
All Quiet on the Western Entrance
Hopped up on nationalism and goals of battlefield glory, Paul Bäumer (Felix Kammerer) is an keen younger recruit for the German military over the past yr of the First World Battle. His romantic view of the battle is shattered on his first evening within the chilly trenches, surrounded by demise and catastrophe, and dealt a tragic blow with the straightforward, meaningless lack of an expensive pal. It is all downhill from there on this magnificently crafted adaptation of Erich Maria Remarque’s groundbreaking novel, one of the necessary items of antiwar literature of the twentieth century. Paul’s journey is one among a lack of innocence, of naivete crushed by the relentless machine of struggle and state, and the way troopers on the bottom are chewed up within the identify of politicians and generals. Director Edward Berger’s tackle the fabric is the primary to be filmed in German, including a layer of authenticity and making for a blistering, heart-rending cinematic effort that drives house the horror and inhumanity of struggle. Typically bleak, however an undeniably good piece of filmmaking.
Enola Holmes 2
2020’s unique Enola Holmes proved to be a surprisingly satisfying twist on the world’s most well-known detective, focusing as a substitute on his neglected sister, Enola. No shock, then, that this follow-up is simply as thrilling a romp via Victorian London. Regardless of proving her abilities within the first movie, Enola struggles to determine her personal detective credentials till a missing-person report leads her to a case that is stumped even Sherlock, and sees her crossing paths together with his arch nemesis, Moriarty. Snappy motion, intelligent twists, and bristling sibling rivalry from Stranger Issues‘ Millie Bobby Brown and The Witcher‘s Henry Cavill because the Holmes siblings make this one other enjoyable couple of family-friendly hours’ viewing. It even crams in a contact of obscure historic accuracy by making the 1888 matchgirls’ strike a key a part of Enola’s newest journey.
Goreng (Iván Massagué) awakes in a cell in a vertical jail, the place meals is offered solely by a platform that descends stage by stage, pausing solely lengthy sufficient for inmates to eat earlier than touring ever decrease. Whereas there’s meals sufficient for all, prisoners on larger ranges gorge themselves, leaving these under to starve. It’s the right recipe for violence, betrayal, and rise up in director Galder Gaztelu-Urrutia’s tense Spanish thriller. Equal components horror, dystopian sci-fi, and social commentary, The Platform works as a none-too-subtle commentary on consumption tradition, but additionally a stark examination of the depths to which determined folks can sink. It’s completely not for everybody—scenes involving cannibalism and suicide make it a very troubling watch in locations—however due to its claustrophobic, brutalist setting and stellar performances from its forged, The Platform is likely one of the most visually placing and narratively provocative movies on Netflix.
The Concern Road Trilogy
Unfold over three time intervals—1994, 1978, and 1666—the Concern Road trilogy is likely one of the cleverest horror releases in Netflix’s catalog. The primary installment introduces viewers to the cursed city of Shadyside, the place a string of bloody killings has labeled it the homicide capital of America. Quickly, a bunch of genre-typical teenagers are drawn right into a horrific legacy courting again to the seventeenth century, dodging serial killers, summer time camp slayings, and vengeful witches alongside the best way. The trilogy was initially launched over the course of three weeks, emphasizing its related nature, and transcends its origins as a sequence of teen-lit novels by R. L. Stine, with lashings of gore and a tone drawing on ’80s slasher flicks that delivers some real scares over the three movies. Director Leigh Janiak masterfully walks a tightrope between lampooning and paying homage to horror classics—it is unimaginable to overlook contrasts to the likes of Scream, Halloween, and even Stranger Issues—however it’s all accomplished with such love for the shape that Concern Road has established itself as a Halloween staple. It’s a bit too self-aware in locations, however undoubtedly one for the shouldn’t-be-as-good-as-it-is pile.
When Hannah’s (Jurnee Smollett) daughter Vee is kidnapped, she turns to the one one that may also help—her neighbor Lou (Allison Janney), whose usually standoffish nature hides a darkish and violent previous. Janney is phenomenal because the grizzled, damaged, harmful Lou, delivering motion scenes that stand alongside a few of Hollywood’s biggest. Whereas it might be straightforward to scale back Lou to a gender-flipped Taken, with Lou painted as a equally unstoppable pressure in searching down the misplaced youngster, there’s rather more happening in director Anna Foerster’s gritty thriller. That is finally a movie centered on failed households and generational abuse, and the way generally blood isn’t sufficient to bind folks collectively. A darkish, gripping motion epic.
At a look, Do Revenge appears lower from the identical fabric as Heathers and Imply Ladies, merely bringing the highschool retribution flick into the 2020s. Nonetheless, writer-director Jennifer Kaytin Robinson (cowriter of Thor: Love and Thunder) provides a heavy layer of Strangers on a Prepare to her deliciously petty story of grievance and teenage angst. When queen bee Drea (Riverdale’s Camila Mendes) has a intercourse tape leaked by her boyfriend, she groups up with college outcast Eleanor (Stranger Issues’ Maya Hawke), sufferer of a rumor that she compelled herself on one other lady, to swap vendettas and socially destroy the opposite’s bully. In fact, issues descend into chaos. However with a forged of brilliantly detestable characters making satisfyingly terrible decisions, a wise script that is aware of precisely easy methods to play with (and poke enjoyable at) the style’s tropes, and an unimaginable soundtrack, you will be too hooked to look away.
Apollo 10 1/2: A Area Age Childhood
Written, directed, and produced by Richard Linklater and utilizing a method of rotoscope animation just like that utilized in his movies A Scanner Darkly and Waking Life, Apollo 10 1/2 is a mixture of lazy summers, Saturday morning cartoons, and idealized memoir. Loosely based mostly on Linklater’s personal childhood rising up in Houston within the midst of the area race, the coming-of-age story follows a younger boy named Stanley as he’s recruited to pilot the lunar lander—which NASA unintentionally constructed too small for full-grown astronauts. Mixing interval social tensions (“Yeah, that’s a hippy”) with childhood creativeness and pleasure for the long run, this can be a distinctive piece of filmmaking dripping with an virtually harmless sense of nostalgia.
Invader Zim: Enter the Florpus
Nickelodeon by no means fairly knew easy methods to deal with Invader Zim. Again in 2001, Jhonen Vasquez’s sci-fi comedy about a clumsy alien making an attempt to take over the Earth was an enormous underground hit, however it skewed a bit too darkish for the children’ community. Quick-forward twenty years, and Zim—together with deranged robotic companion GIR—is again to proceed his invasion, with Vasquez let unfastened to create an animated film with out restraint. Channeling the basic sequence’ ludicrous humorousness however with a good darker edge, this replace sees Zim develop into a critical menace for as soon as, and the Earth’s solely hope is his arch enemy Dib—a paranoid schoolboy who’s spent the years because the present obsessively ready for Zim’s resurgence. Full of laugh-out-loud moments, massive sci-fi concepts worthy of blockbuster franchises, and even some oddly touching—if appropriately nihilistic—moments exploring Dib’s household, Enter the Florpus is a really welcome return for a cult basic. Hopefully we gained’t be ready one other twenty years for Zim’s subsequent invasion.
One among India’s greatest movies of all time, RRR (or Rise, Roar, Revolt) redefines the notion of cinematic spectacle. Set in 1920, the historic epic follows real-life Indian revolutionaries Alluri Sitrama Raju (Ram Charan) and Komaram Bheem (N. T. Rama Rao Jr.), however fictionalizes their lives and actions. Though drawn from very totally different walks of life, each males show to be opposing the colonialist forces of the British Raj in their very own method, their similarities drawing them collectively as they finally face down sadistic governor Scott Buxton (Ray Stevenson) and his merciless spouse Catherine (Alison Doody). No mere interval piece, RRR is a daring, thrilling, and infrequently explosive piece of filmmaking that elevates its heroes to near-mythological standing, with director S. S. Rajamouli deploying ever-escalating, brilliantly-shot motion scenes—and an exquisitely choreographed dance quantity—that seize viewers’ consideration and refuse to let go. Whether or not you’re a longtime fan of Indian cinema or simply searching for an motion flick past the Hollywood norm, RRR is to not be missed.